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In the United States, they helped secure Hollywood's position as one of the world's most powerful cultural/commercial centers of influence (see Cinema of the United States).

Phonorama and yet another sound-film system—Théâtroscope—were also presented at the Exposition.

Three major problems persisted, leading to motion pictures and sound recording largely taking separate paths for a generation.

In Japan, where the popular film tradition integrated silent movie and live vocal performance, talking pictures were slow to take root.

In India, sound was the transformative element that led to the rapid expansion of the nation's film industry.

The idea of combining motion pictures with recorded sound is nearly as old as the concept of cinema itself.

On February 27, 1888, a couple of days after photographic pioneer Eadweard Muybridge gave a lecture not far from the laboratory of Thomas Edison, the two inventors privately met.

The primary issue was synchronization: pictures and sound were recorded and played back by separate devices, which were difficult to start and maintain in tandem.

Sufficient playback volume was also hard to achieve.

An improved cylinder-based system, Phono-Cinéma-Théâtre, was developed by Clément-Maurice Gratioulet and Henri Lioret of France, allowing short films of theater, opera, and ballet excerpts to be presented at the Paris Exposition in 1900.

These appear to be the first publicly exhibited films with projection of both image and recorded sound.

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